WAA.072
Kay Roberts, Julia Wood and Marysia Lewandowska; Actualities, Limehouse, London; 1988 or after
Kay Roberts and Julia Wood discuss the installation of artist Gary Woodley, and the work of Julia Wood shown at Riverside Studios 1988. The conversation touches upon the aspects of site-specificty and minimalism, as well as socially motivated implications of inserting the work in the non gallery space visited by people for different reasons. There are references to readings of the architecture as 'container' and its former industrial past. Cornelia Parker's show at Actualities is mentioned a few times.
Keywords
émigrés 1983 1985 1986 1987 1988 1989 A Space Academia Activism Advertising Alternative medicine Architecture Art History Artist Arts Council Audience Cancer career class Clement Greenberg Communism Community context conversation Critical Practice Criticism Critique diasporas Difference Docklands Documentary education Exclusion Experimental Literature Feminism Film Film Criticism Film Theory Flat Time Fluxus Freud Funding Gender Gormley Graphic Design Hans Haacke Harald Szeemann Health History Hysteria Ian Carr-Harris ICA ICA London Identity immigration Installation Institutional Critique Intention Jo Spence Memorial Archive Judy Chicago Lacan Language lecture London London Art World Margins Mario Giacomelli Mary Kelly Media Memory Minimalism Modernism Museum Mythology National Identity New York Novelist NYC Painting Paris Patriarchal Society Patriarchy Performance Photography Phototherapy Place Poetry Poland Political Art Politics Post-Feminism post-structuralism poverty Private Conversation Psychoanalysis psychology Public Public Art public/private Publishing racial politics relationships Ren? Payant Representation Richard Rhodes Science Sculpture Second Wave Feminism Semiotics Sexuality Signs and Meaning in the Cinema Simone de Beauvoir Site-Specific Art Space Structuralism Suffragettes Surrealism The Cambridge Darkroom The Muse The Showroom Toronto Video When Attitudes Became Form Women Women Artists Writing
