Keywords
émigrés 1983 1985 1986 1987 1988 1989 A Space Academia Activism Advertising Alternative medicine Architecture Art History Artist Arts Council Audience Cancer career class Clement Greenberg Communism Community context conversation Critical Practice Criticism Critique diasporas Difference Docklands Documentary education Exclusion Experimental Literature Feminism Film Film Criticism Film Theory Flat Time Fluxus Freud Funding Gender Gormley Graphic Design Hans Haacke Harald Szeemann Health History Hysteria Ian Carr-Harris ICA ICA London Identity immigration Installation Institutional Critique Intention Jo Spence Memorial Archive Judy Chicago Lacan Language lecture London London Art World Margins Mario Giacomelli Mary Kelly Media Memory Minimalism Modernism Museum Mythology National Identity New York Novelist NYC Painting Paris Patriarchal Society Patriarchy Performance Photography Phototherapy Place Poetry Poland Political Art Politics Post-Feminism post-structuralism poverty Private Conversation Psychoanalysis psychology Public Public Art public/private Publishing racial politics relationships Ren? Payant Representation Richard Rhodes Science Sculpture Second Wave Feminism Semiotics Sexuality Signs and Meaning in the Cinema Simone de Beauvoir Site-Specific Art Space Structuralism Suffragettes Surrealism The Cambridge Darkroom The Muse The Showroom Toronto Video When Attitudes Became Form Women Women Artists Writing
Accession No. WAA.079
Artist: Jo Spence
Container annotation: n/a
Place/Year: Unknown location 1989
Type: donation from Terry Dennett
Release status: CC BY-NC-SA
Technical aspects: n/a
Duration: 00:46:15
Tape capacity: n/a
Tape brand: n/a
Artist: Jo Spence
Container annotation: n/a
Place/Year: Unknown location 1989
Type: donation from Terry Dennett
Release status: CC BY-NC-SA
Technical aspects: n/a
Duration: 00:46:15
Tape capacity: n/a
Tape brand: n/a